Thursday, 9 April 2009

BSc 3rd Sem Malacca Trip

Turning Middleburgh Bastion into a playground.


It took time for him to realize that he's not Spiderman.


Leaps of joy.


Azim, what were you doing?


Great view, greater action.


Fun time at Jonker.

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Irasha predicts future.

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Daredevils on stage.


Eye of Malaysia.

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Maybe it is a little scarce it needs ornament.
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Night view from the wheel.
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Not as brutal anymore, for once.
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Hey, why such faces?
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It must have thought we looked sampat.
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Yeah, we are a bunch of sampats.
At least we enjoy doing so. :)
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FIRST OF ALL

the post started out as a mere presentation of our work... but i chose to end it with a particualr note that stirred up so much hype...and if im not being sensitive i can almost say some of u sound so hostile like ur gonna eat me alive...

but it was never meant to be that way.. so if ur hurt im sorry u feel that way cos it was never part of the agenda.. what i was simply trying to do is to create awareness of what could potentially be a problem...

but if u think u are not part of the problem.. then good on u

i will explain and illustrate what is taylorism one day but not now.. it will take some time to write..lol

... okay la lemme resolve the comments one by one..

Wai Sie: Atm my question to the scheme is locality and thoughtfullness. To reflect vantage points aint as simple as 4 flat panels. Having such a low structure, i believe itll cut off more views than reflect it



locality and thoughtfulness? i wonder where thoughtfulness came from... are u saying that i have not considered site context? that it is a plonker? it can be placed anywhere and still blend in? =) that's precisely what i am proposing..

bare in mind.. this is australia... culturally there isnt much to shout about... unlike msia where we have our cultural roots... here... really honestly and sadly... they have nothing much... the only reason why Fed Square is the way it is is a proof of that...

so thats culture... now site wise, it is, like in the words of Ian, an urban sculpture... it's purposed to create unlikely urban vistas... and hence the whole idea of vantage points.. visually it connects itself to the surrounding..an alternative urban perspective...

therefore it is universal... place it anywhere and it will work... yes we sacrificed the whole traditional idea of site context... but then again like i mentioned earlier in the scheme.. what it is responding to "site context"-ly is the serene and queit quality that we wanted to celebrate here.. tahst the site responce.




ian: You said that u guys r exploring "what the form will do". Other than create a sexy image (with sketchup)...er...what else?

no la... like i said.. .we are playing with tectonics of form and materiallity.. the very disillusionment the form creates and the whole idea of displacement and invisibility is achieved or attempted to achieved by form and materiality..


ian: Er....what happens then to ppl who want to get off the ferry here?

well i failed to mention... the wharfs are already servicing as terminals.. the lecturer that did this breif didnt do his homework... technically speaking this site doesnt need terminals at all cos they already have them.. one on the part and one further down... so in reality, the site is already well serviced... thats why we decided to conceived a singular terminal... and a terminal that does not need to be stuck tehre forever cos it does not need to be there in the first place... but rather hwat it will do is something like the eye of malaysia... where u dun need a ferris wheel but u wanna put it there cos it fraws ppl... once ur done with it u move it else where, like in msia's case - malacca, to draw more ppl there... same idea and concept here...

which bring us to this lady's opinion

Wai Sie: in terms of a mobile ferry terminal?! How would one keep track of the location?!

do you need to know the location of the eye of malaysia? u dun rite? because its such a big thing u know already... and yes... its "mobile" for a reason.. and therefore there is no fixed location... why no fixed location? already answered above...

just a tot: and mun chun...did u told us to avoid design via skp cuz u made the same mistake? to be frank thoh, i like ur idea and concept, but i tot it cud have been more totful, cuz now its just a box..with windows...and it looks like that is designed with just that....skp... so i see where ur coming from.. thx for the heads up, althoh we'v already kn skp is not 4 design ever since...cheers..

ur skeptism on "just a box" is what proofs my point on taylorism (which i will explain in a later date).. something that is "just a box" need not nessecerily be lack of thought.. trust me we put a lot of thought into it.. we did alot of research and observation...like for example, in terms of manuveruerability (ian u asked about this) it is perfectly responsive to the manuveurs of the boats.. it is shaped to allow easy docking... if only i can show u how they dock then u'd understand... but certain ideas needed to be carried thru.. and we wanted to keep the box.. for purposes i have already mentioned..

and no, we did not start with sketch up.. the renders are in sketch up thats all...like i said before this porject was an attempt, on our part, to break away from that.. we wanted to challenge ourselves how far we can go without skp..

Tuesday, 7 April 2009

the GAWD of the YARRA


"GAWD".. something perhaps only marc and me will ever understand... but just so u r confused, i mean GAWD as in GOD.. this is our lil joke between ourselves about marc's theories tutor who is a taiwanese who cant speak proper in-glisss... he pronounces jean utzon like astho the name originated somewher from mainland china...

so ANYWAY... this is really just a ferry terminal whose design brief has been exploited by us to depths we are so proud we reached in just ONE WEEK... or so at least to me i feel it is an achievement..

the location was at the banks of the Yarra river next to the Federation Square. the brief called for two terminals, one to service the north bank and one for the south bank. the purpose is to act as ferry terminals to service the river traffic of the ferries and also to help promote tourism in the Yarra.



neighbouring sites include famous and glorious sites such as the princess bridge, the princess wharfs (now known as the federation wharfs), flinders street train station, victorian art centre and thats all. from our observation the site was a very busy location. princess bridge serves as a interlink between Swanston Street and St Kilda Street of which both are artery roads of Melbourne CBD. Flinders Street Station serves as a interchange of trains and the tramlines runs along the Swanston and St Kilda Street. The Victorian Art Centre houses various cultural and arts events. i cant say less bout federation square. i mean it is after all FEDERATION SQUARE... huge huge icons in the area. in the words of a chinese simile - "people mountain people sea" , meaning heaps of pedestrian traffic in the area.

in contrast to this loud backdrop, we found the existence of a quiet counterpart that co-exist just right beneath all these hustle and bustle. below eye levels, locations such as the princess wharfs and the under the princess bridge possesses a genious loci that is so serene and quiet. and iconic in its own way.



this is the very quality we seek to preserve and celebrate

the solution proposed was a simple amalgamation of the two terminals into one.



inspiration started with this single picture that Marc randomly took. it inspired us to explore how far obscurity, invisibility and transparency in architecture can be stretched and how much can time and space be captured in a form that seeks to be iconic is a silent manner.


form wise, it is essentially a cube of one sided mirrored glass held up by steel frames. the whole structure rest on a deck which is in turn supported by buoys. the terminal is floating and anchored down to the riverbed on all four sides.




the experience of the building starts from the exterior, the moment before you notice the building, from the level of the bridge looking down towards the river, meaning below your eye level. the reflective nature of the facade taunts our eyes playfully, obscuring the boundaries between the river surface and the actual terminal. it is this very silent and invisible nature that will draw people and generate interest.

once at normal eye level, which is normally viewed from the docking platforms of the wharfs, the building facade now displays a different emotion. it starts to reflect the surroundings onto itself. it recreates vantage points that cannot be seen from your position because of the reflection. so it not only disolves visually into the water, it disolves into the surroundings as well.



now, passengers get on to the terminal thru a retractable entrance that unfolds from the deck, latching onto any nearby docking platform. once on the deck, passengers can opt to board the boat, purchase tickets at the reception counter or reside upstairs in the glass cude whilst watiign for their transport. the studs on each side of the deck demarcade the docking positions of the boats and also acting as ticket validating counters.


once on the upper floor, the program is limitless. the open floor plan allows for the space to be partitioned for various functions. during operation, this space creates a very interesting paranomic vantage point when standing inside the cube. the interesting thing is because its one sided mirrored, outsiders cant see you. but on the contrary, in reality what you can see from the inside is exactly what a person sees from the outside when the outsider looks at the reflection on the facade. it is this paradoxical contrasting element that creates this disillusionment of space and locality that intrigues the development of this idea.



as a landmark and an icon, we strong believe that it will succeed because of its flexiblity. because of its mobility this proposal can be placed any where along the Yarra. it can moved up and down for promotions or just as a tourist attraction. the whole terminal can be booked for the night when it is not in operation for private functions. imagine having your engagament party in the middle of the river, only people cant see u..=)



something to note:
not that i am against taylor's and all that they teach. i believe i have learned alot. however, there are certain things in my opinion that taylor's lack.
i can dare say 80% of us design thru sketch up.. which really takes away the true essence of design. sketchup should only be an assistant tool... not the main design tool.. all the top students of my batch design from mind to hand.. skecth up always came later. looks into works of carey, jun hao or euric.. they may be from the diploma program, but trust me u can learn alot from them. =)

in this project, we played with tectonics of form and materiality, something i know many of us have not tried before. the focus wasnt on form making but rather what the form will do and how does the materiality affect the form...

but anyway you can almost see this as a development model after all its only a one week project

OKAY SIDE TRACK

important note:

GUYS PLEASE LEARN HOW TO DO PROPER AND REAL REFERENCING BEFORE YOU COME OVERSEAS.... its a real deal over here... and they have machines that can scan your text and it is linked to a database that can detect if you are plaguirisng from ANY TEXT.. it is that good..

just something i took for granted back home and i see the need now...

so..anyway

come guys give it a crit.. i know u want to..=D

Some In-Between Pics Part 2

Hi guys! 1st time posting here...

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panaroma at malacca kopitiam

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mirror mirror on the wall....

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Sunday, 5 April 2009

Some In-Between Pics

Some pictures from the bastion..

Our boss
Class bimbo Alex
Azim
A very happy looking Iherng

Others ..



Not sure whether its a door or a window.

This is William.


St. Francis Xavier Church. Don't know whether if its just me or is the church really slunted.

MALACCA FOR A VISITORS' INTERPRETIVE CENTRE

19 Arch Degree Students from Taylor's College decended on beautiful Malacca City last Friday in search of essences of the personality of Middlesburgh Bastion (the original and the reconstructed) in a quest to design the most didatic visitors' interpretive centre for it. They looked hard.

REFLECTING AT THE START OF THE TOUR:

...AT THE END OF THE TOUR THIS MORNING


I guess they looked very hard.

(More in-between pics later.)

Thursday, 2 April 2009

BIO MIMICRY




Trellis Design for a House, 2008

Arkitek Inasreka

Sketches by Bryan Sia