Tuesday, 2 December 2008

THE STUDIO 3 SHOW (2 DEC 2008)

Well, it's done! And it wasn't too bad either, was it?

Well done All!


Last minute preparations before the 930h show....like still preparing at 910h!


.... finishing touches to the model or what?


Khang Siang bows to his stunner


Hamilton shows the way


Don't pose, can or not?


Heavy stuff from Teck Hao


"Here's how you present with sign language." (Mr Choy, Karlson & Sze Kee)


Commemorative Centre to Rain in Taiping [I mean the watery sort, not the Korean Singer.](Chze Yoon)


Datuk Kamil Merican, CEO of GDP Architects Sdn Bhd


The tall and short of it... (Chi Ming &....er..er...someone)


"Black is in." (According to some.) (Hong Joo)


One of the 2 prison presenters (Way Wen)


David goes pink. (Pink is also in)


Er.... New clock tower for old! ....for Taiping


Lakshmi hopes and prays for the best


Kwan Kin wonders...


The Jolly Gang was there...


So was the Naughty Boys' Gang...


Danial casts his spell...


Azleen dishes out a relaxing show

Sheikh grabs his chance


Who's surprised by what, eh? (Van Yenn)


Joseph makes full use of our Taiping model
Er....are the grades the joke...or what? (Kid, Karlson & Veron)

Hotshot confuses, I mean impresses, the Datuk


Minimalism can also be worn (Samantha)


Stressing a point....or stressing out Hotshot?


Joseph pulls the crowds,


& entertains, too!


Suja needs a massage after seeing all those schemes


Kamil actually said, "I am impressed!"


Summing up... at the end of a long, 3 week slog


Khang Siang isn't impressed

Monday, 1 December 2008

Ian's request name list

Ian, this is the list you have requested at 7.00pm submission in both the studios.

1 Chi Ming
2 Khang Siang
3 Saber
4 Shang Rong
5 Azrul
6 Preshan
7 Hamilton
8 YanEe
9 Hong Joo
10 TeckHao
11 Afiq
12 ShiQi
13 Charlene Tan
14 Liem Leonardi
15 Chua Say Hang
16 Vincent
17 Kwan Kin
18 SzeKee
19 Chong Kok Siong
20 Chze Yoon
21 Lakshmi
22 Azleen
23 Chy Horng
24 Yee Lim
25 Yu Wei
26 Ooi Tze Pin
27 VanYenn
28 Amanda Cheah
29 Jillion Soh
30 Toh Yi Hong
31 Bryan Chew
32 Daniel Seliong

most of us are here =)

Friday, 28 November 2008

Presentation Board + Model tips





I was chatting with Ian on msn and these are few tips he gave me.

1. To compose a REALLY REALLY NICE board cos that will REALLY sell your scheme and get u the marks

2. choose ur BEST image and make that the biggest dominant image on the board. bleed it to 3 sides if u canit means like the image goes right to the edge of your board without borders

3. plans are important so they should be prominently placed and large enuf with just enuf essential info

4. make the plans punchy by putting in shadows. shadows should be v light to give a 3 d effect

5. have a series of images taking ppl for a walk thru the building cos the ROUTE is v important in this project

6. u must put in the TEXTURAL QUALITIES in your bld to show what kind of textures ur bld materials r made of and always ask urself "Does this material have a texture? or is it just flat? flat and white? or has colour and shade? and good to touch?"

7. montage building to site - that's v important to show context how it fits in. with google earth don't make that too big. That can be a "SITE PLAN" 1: 300 OR 400 OR 500

8. HAVE a variety of scales of image parts. that's why it's important to plan ur board layout V V carefully. it's a MAKE OR BREAK situation

9. NO don't do detailed site model. that's to show form and space. to show relationship to site 1:500 and fit it into the Town model and photograph will do. show archtectonic element d at 1:100. 1:500 is blocky

10. nite shots usually more sexy than day shotsso go for it. your Main image can even be a nite shot and the overall colour tone of your board can be dark

11. you need to have A FEW image from inside looking outwards and if u can manage it make it a NIGHT AFTER THE RAIN image cos you'll get lots of nice reflections on wet surfaces

12. Minimum words. think hard about your DESIGN INTENTION and talk about ur design intention. a short "architect's statement" will do. as long as u have many captions, one for each image and illustration so that ppl will fully understand what ur trying to show on the board

13. sections usu work better if they are a bit bigger than plans. but u have to use ur discretion

14. u need to show some planting in ur scheme. to make it more "friendly, green, nice". try to make ur spaces flow into the outside green

15. Impt that u TEST PRINT tomorrow or ur colours and clarity make shock you

******
So..to all my studio mates...please keep ur sanity check always. I'm already goin insaneeeEE!


Wednesday, 26 November 2008

feedbacks n defences


Feedback from ian regarding the whole project statement & thingies:
" the overriding desire for transparency is ok, but the building must be buildable, u must b sure that it is structurally sound, and the amount of framing u use will be the thing that will be questioned. i mean it will have to relate to how much non-transparency it contributes, and sometimes "see all, all the time from anywhere" is not as interesting as "see some, see sometimes, see from somewhere, not everywhere" so that we will be enticed to want to see more and see again. it looks like you have a cross btw installation art and a landscape structure. That's ok if there's enough enclosure (enclosed spaces) where and if it is needed."
then...
ks says:
just read ur feedback

ks says:
ya.. the amount of framing does contributes to being some level of visual obstacle, so it's not actually 100% transparent because as u move around the building, the frames block ur vision at diff angles
ks says:
transparency is achieved by not having immediate walls etc, but doesnt mean there's no visual obstacle that is formed further away from the spaces
ks says:
so there is this quality of see some, see sometimes, see at different angles
ks says:
anyway, a couple of non-transparent enclosed programes do exist in here.... the toilet m&e and gallery(half half but definitely not letting the public to see it through) la....
endorphIAN says:
ok, as long as u understand the value of opacity and translucency for visual purposes
endorphIAN says:
and acoustic separation where required and desired
endorphIAN says:
so that you have a variety of spaces in terms of acoustic as well as physical privacy
endorphIAN says:
and also try to have an overlay or merging of "off-xyz" axes
endorphIAN says:
onto the xyz axis of your frames
ks says:
there is... a little bit
endorphIAN says:
so that it has an element of escape from the "restrictiveness" of the frames
endorphIAN says:
little bit may not be enough to make a statement
endorphIAN says:
may be a bit too static
ks says:
yeah ... but i've never really wanted to do that, though i understand it's effect
ks says:
because i tot i've already made the frames tranforming, so there may not need to hav the opposite element transforming like that again
ks says:
else i'd question myself what is the active n wut is the passive.
ks says:
so.. it's kind of contradicting if both tries to escape from one another
endorphIAN says:
you odi have curves which gets away from xyz
endorphIAN says:
you can take that further and let the curves actually slither away from the xyz in a more definite way
endorphIAN says:
there can be multilayers of msg
endorphIAN says:
sometimes u can't be too subtle
endorphIAN says:
cos it may get too cerebral
endorphIAN says:
and the children of lesser gods dun get it
that's bout it, just don't forget that we have to consider ourselves presenting to a range of ppl from primary school kids to Norman Foster, and make them all understand! darn it's hard..
Good luck

Monday, 24 November 2008

google sketch up 7

this the latest sketch up from google, i just got it from one forum, i download it, try it and don't feel any different,except the color scheme is lil bit different,and they claimed that the latest sketch up had some kind of magic when we try to rescale the window, but it turn quite annoying to me. i must download everysingle thing from the net.

but basically i'm not a big fan of 3d thingy,so i'm not really into it, i prefer my skecth book.and for the vray plugin, u still need ur sketch up pro 6,because they don't had it in 7.

link http://rapidshare.com/files/165194865/GoogleSketchUpProWEN.rar

just want to share....

guys, i got a link for and architecture e-book from one forum. it's quite a lot,and maybe take sometime to download everything.

i already download some,and it quite interesting for me.

http://rapid*share.com/files/81655737/0750658495.rar
http://rapid*share.com/files/81655482/0750659025.rar
http://rapid*share.com/files/81657974/0750660899.rar
http://rapid*share.com/files/81657337/0750661429.rar
http://rapid*share.com/files/81657198/0750661755.rar
http://rapid*share.com/files/81656863/0750666285.rar
http://rapid*share.com/files/81656499/0750668180.rar
http://rapid*share.com/files/81656152/9780750664486.rar
http://rapid*share.com/files/81659554/9780750659345.rar
http://rapid*share.com/files/81659187/0750665440.rar
http://rapid*share.com/files/81658820/0750665270.rar
http://rapid*share.com/files/81658445/0750664584.rar
http://rapid*share.com/files/81658298/0750662077.rar
http://rapid*share.com/files/81660361/0750658320.rar
http://rapid*share.com/files/81660879/0750657642.rar
http://rapid*share.com/files/81663699/0750657294.rar
http://rapid*share.com/files/81663548/0750656050.rar
http://rapid*share.com/files/81663409/0750655437.rar
http://rapid*share.com/files/81662912/0750654260.rar
http://rapid*share.com/files/81662544/0750654252.rar
http://rapid*share.com/files/81662012/0750653590.rar
http://rapid*share.com/files/81661419/0750653434.rar
http://rapid*share.com/files/81661302/0750651644.rar
http://rapid*share.com/files/81667163/0750648481.rar
http://rapid*share.com/files/81665755/0750642734.rar
http://rapid*share.com/files/81665570/0750632755.rar
http://rapid*share.com/files/81665277/0750640820.rar
http://rapid*share.com/files/81664945/075065385X.rar
http://rapid*share.com/files/81664413/075065693X.rar
http://rapid*share.com/files/81664016/0271029773.rar
http://rapid*share.com/files/81666862/075065130X.rar
http://rapid*share.com/files/81667611/0750666579.rar
http://rapid*share.com/files/81667630/0750658975.rar
http://rapid*share.com/files/81668486/0750657170.rar
http://rapid*share.com/files/81670999/0750656530.rar
http://rapid*share.com/files/81669386/0750655119.rar
http://rapid*share.com/files/81668934/0750654503.rar
http://rapid*share.com/files/81668515/0750653728.rar
http://rapid*share.com/files/81670772/0750652462.rar
http://rapid*share.com/files/81671536/0750649488.rar
http://rapid*share.com/files/81672521/0750649046.rar
http://rapid*share.com/files/81673131/0750648902.rar
http://rapid*share.com/files/81674334/0750647930.rar
http://rapid*share.com/files/81674477/0750647701.rar
http://rapid*share.com/files/81675434/0750641029.rar

just delate the * in between rapid and share, and you can download it.
hopefully my act is legal to share it with you,if it illegal or not appropriate just tell me i'll delete it, or you guys can delete it...

Monday, 10 November 2008

Need comments/help, guys!!

Site: opposite of clock tower

Design Statement:
  1. guide visitors in a spiral circulation.
  2. Smooth flow
material: steel and glass
Need helps....................................
I am tend to take over 5 shop lots but demolish 3 only. The leftover is for the public area: cafeteria and souvenir shop. Area of each shop is 4.5 m x 19m. Is it possible for me to do so? Design idea is shown as below:









Top view










View from the clock tower












Section

THE STAR IN EGYPT


http://thestar.com.my/education/story.asp?file=/2008/11/9/education/2430926&sec=education

An excellent account by Anne Barbosa, as witty as it is comprehensive; and good insights, too, by Ashley Leong, Marcus Cheh, Ahmed Arizz Azhar, Shaira Najia Jamil, Saw Jia Jin, and Raja Imran (in the links.)

Sunday, 9 November 2008

LIGHT, SPACE, ROUTE

Image on Blender software by Mark Huang (c) with permission.

Project2 : Visitor Centre (submission program)

Project: Visitor Centre
Submission date: Mon (1 Dec 2008)
Venue: Studio2 (lvl 8)
Submission time: 1pm - 2pm
Setting up Exhi/reviews: 2pm - 3pm

3 X A1 potrait layout

-plans(s) + sections @ 1:100 (must include site surrounding)
-photo montage of your design in the surrounding context
-a series of perspectives narrating the "route" in your design. (should include how user engage with the space, light/shadow, materiality, inside/outside relationship)
-thumbnails showing the site response + design process.
-1 model (physical 1:100 & comp. generated)

____________________________________________________________________
Portfolio submission
(+ cdrom of complete works)
Submission (Wednesday) 3 Dec
Format (6(2) xA3) (add a page for project 1 or 2 if needed)
Time 1pm - 2pm
____________________________________________________________________
Design Review 2 Dec/Tues
Venue: Studio 2+3 (9am)
____________________________________________________________________
!!! STUDY WEEK SUBMISSION !!! (12 Nov / Wed)
Draft MockUp: 3x A1
Time: 9:30 - 12:00 am

Thursday, 6 November 2008

to learn ... the solid, void, space.... light, shadow, to make a building a building

Red is noted for highlight.

jsopeh says:
(if u get back and read this msg) uhm... could u explain me a brief difference between light and spaces (of the solids and voids)? because it seems to spaces and light are so closely related it troubles me to split their differences. i cant seem to separate and do a light experiential feeling without creating that space which channeled the light. its quite troubling to discover that. >< ! jsopeh says: all i understand so far is . without the solids n voids i cannot create any light experience basically because theres nothing to channel it with. but . what makes their difference if i were to take one of them away? endorphIAN says: solids are v deceptive things endorphIAN says: like the solid and void series u posted on blog endorphIAN says: we choose to name the spaces between the blocks "voids" endorphIAN says: cos we walk into them endorphIAN says: and we assume the other "closed box bits" are "solids" endorphIAN says: but that's just a the way we've chosen to draw a demonstration of what we understand as space endorphIAN says: we are trying to "capture" space in a "thumbnail" sketchup way endorphIAN says: if u were to draw "interior perspective" sketches instead, then we won't need to use those blocks of yours endorphIAN says: we would be drawing from a human-in-the-space point of view endorphIAN says: instead of from a God-in-heaven-looking-down point of view jsopeh says: (but i could've just zoomed in for that effect. wouldn't it be the same ?) endorphIAN says: yes and no endorphIAN says: that's where the trick is endorphIAN says: no human eye can see like God endorphIAN says: haha...that sounds so funny jsopeh says: hahah but.... its just the way we plan . we see it from above. (im supposing it would make a big difference if i designed everything from a eye level point of view)
endorphIAN says:
or, practically, the usual normal bld user experience is from the "interior perspective" point of view
endorphIAN says:
yes
endorphIAN says:
so u see, why we (boring tutors) don't often seem so excited when we see u guys designing from sketchup
endorphIAN says:
lol
endorphIAN says:
that's because it's v divorced from the down-to-earth experiential approach we're all after
endorphIAN says:
From up there, or sketchup there, it's all ocular---visual experience
endorphIAN says:
From down and in there, it can be more---all five senses, almost
endorphIAN says:
So, coming back to your solids and voids..
endorphIAN says:
From down & in (d&i) there you don't really need those massive blocks to enclose your spaces
endorphIAN says:
walls would do
endorphIAN says:
like, compare the pyramids with the Alexandria Library
endorphIAN says:
Don't u think so
jsopeh says:
hmmm ... but .... the pyramids had its own idea of ... mass and weight didnt it ? (though it was really the technology which limited them in)
endorphIAN says:
it was the tech and other considerations like permanence, security against intrusion, desire for height, monumentality, etc.
endorphIAN says:
but in terms of SPACE, it's like what i just said
endorphIAN says:
so back to your s & v
endorphIAN says:
your solids are not necessarily solid, rite
endorphIAN says:
they could be empty boxes
endorphIAN says:
which means they r spaces enclosed by planes
endorphIAN says:
which means they're not much different from your other "spaces in btw the solids"
endorphIAN says:
still following ?
jsopeh says:
yup
jsopeh says:
but one thing
right now . i get the point u're trying to make is . having a BIG solid.... and having a wall would create the same effect in spatial understanding.
jsopeh says:
so . why the size of solids in some designs ?
endorphIAN says:
right
endorphIAN says:
why indeed
endorphIAN says:
that u have to find out
jsopeh says:
haha !
endorphIAN says:
but for us now, we need to see how this discussion helps us
endorphIAN says:
ur next understanding is that therefore in composing those experiential spaces you posted
endorphIAN says:
you have, in actual built reality, an absolutely wonderful
endorphIAN says:
SECONDARY series of spaces, like supporting spaces to your main players
endorphIAN says:
which you, as the designer, need to orchestrate into the overall composition
endorphIAN says:
so that we get rhyme and rhythm and mystery and surprises
endorphIAN says:
and modulations of space and developments in character as you
endorphIAN says:
traverse the interior on an intentional and organised ROUTE
endorphIAN says:
and that basically is what designing a bld is all about.
endorphIAN says:
the EFFECT of decon is only an architectonic means to produce a certain character for your spaces in this line of thought.
endorphIAN says:
(Decon is more than that)
jsopeh says:
haha. i do see
endorphIAN says:
The other main issue u have is about light and space
jsopeh says:
yup
endorphIAN says:
Yes, without light we can't perceive the fullness of space
endorphIAN says:
I say "fullness" cos a blind person can still feel space
endorphIAN says:
by touch
endorphIAN says:
but not to the full extent a seeing person can
endorphIAN says:
so for practical purposes you may want to start by composing the space in physical dimensions or proportions
endorphIAN says:
v much in the way you've done on blog
endorphIAN says:
and then see how you can bring light in at those particular points
endorphIAN says:
or in that particular way to further accentuate the character that you have intended with the space
endorphIAN says:
i'm digesting my oats, that's why i can't sleep just yet
endorphIAN says:
lucky u
jsopeh says:
hm ... but to me . light only seems as one thing . "hope" and thats still so ..... symbolic
jsopeh says:
that whole .. hope n faith and .... god . and ... luck
jsopeh says:
uknow . the usual ! i dont see further than that
jsopeh says:
(haha . well very lucky me then)
endorphIAN says:
yeah, it's all that
endorphIAN says:
and more
endorphIAN says:
there's the function bit
endorphIAN says:
u need light to see la
endorphIAN says:
all this symbolism....it'll soon find it's balance with other stuff
endorphIAN says:
and i think this particular slant comes from not seeing/experiencing enough of architectural spaces first hand
endorphIAN says:
and merely thinking about it
endorphIAN says:
it gets v cerebral
endorphIAN says:
(pallasma)
endorphIAN says:
reading is not enough
endorphIAN says:
you need to go and BE in there with all your senses alive
jsopeh says:
what if ur feeling of it ... isnt the same as others? what happens then ? don't u fail to translate?
endorphIAN says:
well, you have to test it
endorphIAN says:
go out with your gang
endorphIAN says:
to various blds
endorphIAN says:
and discuss your emotional resposes with each other
endorphIAN says:
you'd be surprise at the commonality
endorphIAN says:
*responses

For pictures... refer to diagrams post

Wednesday, 5 November 2008

Spatial feelings

Here's something Joseph came up with. "I'm going mad with ideas!", said Joseph. Comments and feedbacks are greatly appreciated.

ADHOCISM @ FINDING PHARAOH

The Lecture, 'FINDING PHARAOH' Impressions From Egypt, was delivered this morning along with presentations by Studio 3 students on their Design Intentions for their Commemorative Centre for Taiping and with a briefing by Ms V on Portfolio Strategies.


Some in the audience applied the theory of Adhocism to handle the marathon session. (Thankfully it wasn't during my lecture!)

Definition of Adhocism in Architecture and illustration follows.

Notions of ‘Adhocism’ were coined by architectural designer, theorist, and sometime designer Charles Jencks and Nathan Silver in their book Adhocism: The Case for Improvisation (1972). They considered the ways in which designers could take immediate action through the use of readily available components in ways that had never been conceived in their original design.

(Posted with permission from, and with thanks to, the performer.)

Friday, 31 October 2008

STUDIO 3 INTERIM GRADING, MON 3.11.08

Important Announcement: You are to ensure that the total built-up floor area of your scheme does not exceed the stipulated 600 sq.m. by more than 10%. Marks will be deducted for non-compliance. The only exception to this rule is if you have an OUTSTANDING concept which requires u to do so. (And it had better be outstandingly defendable!)

And make sure you deliver every single outcome required.



Make your scheme sooo good that people fall in love with it.......as illustrated below.


(Tx, Boon!)

Thursday, 30 October 2008

PUBLIC SPEAKING

...practise your speaking skills to get you on the road to success.

  • Join Toastmasters International (TMI)

  • Relax and Pause

  • Discard Outdated Tips

  • Breathe Correctly

  • Smile (....helps you think by releasing endorphins into your brain..)

  • Keep it Simple

  • Open with Pizzazz and Close with a Punch

  • Talk the Walk You Walk

(for full article, see today's Star Metro Classifieds cover, "TALK YOUR WAY TO THE TOP", by Michael A. Podolinsky, a master trainer specialising in developing passionate leaders.

Also check out my previous postings, "PRESENTATION CONFIDENCE" and "PRESENTATION LANGUAGE" in April this year.)

DANCING IN THE RAIN

Sparing a thought for all the stressed up ppl struggling to finish their final design project, I just couldn't let this go by, esp after reading the last line ...haha. (Tx to BSP for emailing me the following.)


"In a zoo in California, a mother tiger gave birth to a rare set of triplet tiger cubs.. Unfortunately, due to complications in the pregnancy, the cubs were born prematurely and due to their tiny size, they died shortly after birth.

The mother tiger after recovering from the delivery, suddenly started to decline in health, although physically she was fine. The veterinarians felt that the loss of her litter had caused the tigress to fall into a depression. The doctors decided that if the tigress could surrogate another mother's cubs, perhaps she would improve.

After checking with many other zoos across the country, the depressing news was that there were no tiger cubs of the right age to introduce to the mourning mother. The veterinarians decided to try something that had never been tried in a zoo environment. Sometimes a mother of one species will take on the care of a different species. The only orphans' that could be found quickly were a litter of weanling pigs. The zoo keepers and vets wrapped the piglets in tiger skin and placed the babies around the mother tiger. Would they become cubs or pork chops?

Take a look...you won't believe your eyes!!




Now, please tell me one more time... Why can't the rest of the world get along?

'Life isn't about waiting for the storm to pass; it's about learning to dance in the rain.' "

Monday, 27 October 2008

MY ONLY SUNSHINE



You are My Sunshine, My only Sunshine

Like any good mother, when Karen found out that another baby was on the way, she did what she could to help her 3-year-old son, Michael, prepare for a new sibling.

They found out that the new baby was going be a girl, and day after day, night after night, Michael sang to his sister in mommy's tummy.

He was building a bond of love with his little sister before he even met her. The pregnancy progressed normally for Karen, an active member of the Panther Creek United Methodist Church in Morristown, Tennessee.

In time, the labor pains came. Soon it was every five minutes, every three, every minute. But serious complications arose during delivery and Karen found herself in hours of labor.

Would a C-section be required? Finally, after a long struggle, Michael's little sister was born. But she was in very serious condition.

With a siren howling in the night, the ambulance rushed the infant to the neonatal intensive care unit at St. Mary's Hospital,Knoxville, Tennessee . The days inched by. The little girl got worse. The pediatrician had to tell the parents there is very little hope. Be prepared for the worst.

Karen and her husband contacted a local cemetery about a burial plot.

They had fixed up a special room in their house for their new baby but now they found themselves having to plan for a funeral.

Michael, however, kept begging his parents to let him see his sister. I want to sing to her, he kept saying.

Week two in intensive care looked as if a funeral would come before the week was over.

Michael kept nagging about singing to his sister, but kids are never allowed in Intensive Care.

Karen decided to take Michael whether they liked it or not. If he didn't see his sister right then, he may never see her alive.

She dressed him in an oversized scrub suit and marched him into ICU. I (sic) looked like a walking laundry basket.

The head nurse recognized him as a child and bellowed, 'Get that kid out of here now. No children are allowed.'

The mother rose up strong in Karen, and the usually mild-mannered lady glared steel-eyed right into the head nurse's face, her lips a firm line.

'He is not leaving until he sings to his sister,' she stated.

Then Karen towed Michael to his sister's bedside. He gazed at the tiny infant losing the battle to live.

After a moment, he began to sing. In the pure-hearted voice of a 3-year-old, Michael sang:

'You are my sunshine, my only sunshine, you make me happy when skies are gray.'

Instantly the baby girl seemed to respond. The pulse rate began to calm down and become steady.

'Keep on singing, Michael,' encouraged Karen with tears in her eyes.

'You never know, dear, how much I love you, please don't take my sunshine away.'

As Michael sang to his sister, the baby's ragged, strained breathing became as smooth as a kitten's purr.

'Keep on singing, sweetheart.'

'The other night, dear, as I lay sleeping, I dreamed I held you in my arms'.

Michael's little sister began to relax as rest, healing rest, seemed to sweep over her.

'Keep on singing, Michael.'

Tears had now conquered the face of the bossy head nurse. Karen glowed.

'You are my sunshine, my only sunshine. Please don't take my sunshine away...'

The next day...the very next day, the little girl was well enough to go home.

Woman's Day Magazine called it 'The Miracle of a Brother's Song.'

The medical staff just called it a miracle.

Karen called it a miracle of God's love.

NEVER GIVE UP ON THE PEOPLE YOU LOVE.

LOVE IS SO INCREDIBLY POWERFUL. Life is good.

'The evidence of God's presence far outweighs the proof of His absence.'

(received from bhy with thanks.)

Sunday, 26 October 2008





























A bit of comic relief for stressed out model makers..haha

CRAZY LITTLE THING CALLED LOVE

I would recommend this play! Powerfully performed on absolutely relevant situations encountered by just about anyone who's vaguely human.


I caught the pre-premiere, and hope to catch it again in the forthcoming season @ KLPAC, 6-16 Nov 2008.

Check out the website of Footstool Players for more details, link in the reflection excerpt below.

" I think ultimately, every single person on this crazy planet is looking for love. Not just any old love, either; we want to be accepted as we are, we want to share ourselves with someone else without fear of rejection or ridicule, we want to have our intrinsic worth affirmed by someone who cherishes and cares for us, we want to connect with someone at the very deepest and most intimate level that two human beings can connect.
Watching the Footstool Players' Crazy Little Thing Called Love last night reminded me of this. So much emotion. You know love can bring lots of joy but can also lots of pain; there's potential for both as you make yourself vulnerable to another person."

(source: http://www.wilfulsunflower.com/2008/10/reflections.html, accessed 950h, 26.10.08)